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EVELINA DE LAIN TRIO (Piano, Flute and Cello) Virtuoso pianist and composer Evelina De Lain is a unique and multi-faceted artist, effectively blending classical performance, contemporary classical composition and jazz interpretation into an innovative and compelling concert style. This highly-skilled TRIO (featuring incredible flautist Alisa Klimanska and highly-accomplished cellist Frederique Legrand) merges arrangement, improvisation, art, vocal and instrumental performances creating an exclusive and sophisticated aural environment. The programme features a mix of classical, jazz and original music.

Wednesday 31 August 2011

Things that make my life as a musician easier. No 1.

This post opens up a series of tiny accounts of the things I use in every day life that help me to be a composer and a performer.
It's gonna be about tools and gadgets mainly.  Some of them are pretty basic, but I'm gonna mention them anyway.

 Tool no1. Digital keyboard. 

“Pianos are such noble instruments – they’re either upright or grand.” 
Author Unknown 

Well, my piano is neither upright, nor grand, yet, I would still call it "noble". :)
There's only one digital piano I've owned in my life - it's Yamaha P-90.
I bought it in 2004 - and since then it's travelled with me through many cities and countries and it's never let me down.
I know Yamaha doesn't produce it anymore and probably they moved on to something more advanced, but I still can't part with my P-90.
My entire debut album  - "THE GIRL WITH THE FLAXEN HAIR, CONTINUED..."  was written and recorded on my Yamaha P-90.
I liked its sound better than any sampled pianos I've ever encountered.



It's great for practicing - you can turn the volume up and down or use your headphones and you don't bug your neighbours. Also, you obviously can use it as a midi keyboard.
And the touch is almost like a real piano, so it's great for practicing your recitals.

Of course, ideally I'd like to own a Yamaha grand, but I'm still waiting for an offer. :)
I really like Yamaha. It's pure quality.


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